Dizzy gillespie death professional#

This early work was thought to be a prime introduction to bebop for those who were not used to hearing it, and eventually became a jazz standard in its own right. This song contains a number of strong Afro-Cuban rhythms, and features a powerful trumpet solo from Gillespie. Some of GillespieвЂ™s most recognizable songs include: His signature horn-rimmed glasses, beret, and goatee became the visual template for вЂњhipnessвЂќ in the 1960s. He famously puffed his cheeks out as he blew into his horn, which added physical comedy to his fast and intricate playing.

Showmanship: GillespieвЂ™s nickname вЂњDizzyвЂќ came from his flair for performance, because he was known for his on-stage clowning.

Gillespie helped bring Afro-Latin American music elements into jazz and pop, and would change the course of jazz for the rest of history. One of his bands in the 1940s featured Chano Pozo, a percussionist from Cuba, which was a union that sparked interest in the Afro-Cuban jazz style.

Afro-Cuban: GillespieвЂ™s music blended elements of standard jazz like saxophones, trumpets, and trombones, along with Afro-Latin elements such as bongos and claves for a varied, hybrid fusion of sound.

Depending on the pace, this can make his music sound suspenseful, or give it a characteristic groove.

Flatted Fifth: Gillespie is credited with popularizing the use of the augmented 11th (or flat fifth) interval, which has become one of the hallmarks of modern jazz.

Gillespie is revered as one of the greatest jazz trumpet players of all time, with fellow legends like Louis Armstrong and Duke Ellington.Дizzy GillespieвЂ™s music has a number of recognizable characteristics, such as: In 1989, Gillespie was given the Grammy Lifetime Achievement Award, as well as an honorary doctorate from the Berklee College of Music.

Late twentieth century: Gillespie continued to record new music and perform successfully into the late-twentieth century, eventually leading the United Nations Orchestra and acting in the film The Winter in Lisbon (1991).

Gillespie would play at jazz club venues like MintonвЂ™s Playhouse in New York City, and appeared in recordings by Billy EckstineвЂ™s big band, an experience he shared with jazz legends like Miles Davis and Charlie Parker.

Heyday in the 1940s and 1950s: In the mid-1940s, Gillespie organized big bands where he often performed as a soloist.

Within a year, Gillespie would leave to play in the bands of other notable musicians like Cab Calloway, Ella Fitzgerald, and Earl Hines.

Dizzy gillespie death professional#

Early career: In 1935, Gillespie joined the Frankie Fairfax Orchestra, which was his first professional job.

Gillespie decided to become a jazz musician after hearing Roy Eldridge on the radio, and attended the Laurinburg Institute in North Carolina. Following the death of his father, a ten-year-old Gillespie started teaching himself the trumpet and trombone.

His father was a local bandleader who taught him the basics of several instruments, including the piano.

Early life: Gillespie was born in 1917 in Cheraw, South Carolina.

Here is a brief overview of Dizzy GillespieвЂ™s life: Along with his contemporaries like Thelonious Monk, Kenny Clarke, and Charlie Parker, Gillespie helped give rise to the bebop jazz style, which is considered the first wave of modern jazz.